Skip to main content

 


POETICA : 1

 

The magic of poetry

 

I am not a poet. I am an ordinary human being. But even I can’t escape the snare of poetry. Poetry is like air. Everyone breathes it. It is like our life breath. It’s part of our life - every moment of it. It is inseparable from our existence. Even when we don’t realize it’s inseparability from our living, it is in and around each one of us. To that extent everyone who lives is a poet. We have our sensory and super- sensory experiences, waking or asleep. Just as our breathing doesn’t stop even for a moment, all our experiences are subservient to our breathing. We experience because we live and we live because we breathe. Poetry, therefore, is passively and unmanifestedly always with us.

 

But we can be aware of it, just as we can be aware of our breathing if we concentrate and focus on it. Suddenly we realize its being; we become aware of its regular inhalation and exhalation. We then start hearing the soft pounding of our heart beats. We can feel our pulse. We feel the rush of blood in our veins. We become aware of our being alive. We can feel all our senses awake and working. Our consciousness has been internalized. That’s when we glimpse the faint outline of poetry in the swaying of branches, or in the clouds changing their shapes.

 

Poetry similarly does not make itself visible. It only half appears in symbols. Then we see it like Wordsworth’s Lucy or Shelley’s West Wind or Keats’ Nightingale. Then it suddenly manifests itself in a tangible form, and yet only momentarily.

 

A violet by a mossy stone

Half-hidden from the eye!

-       Fair as a star, when only one

Is shining in the sky

            *  *

O Wild West Wind,…

Thou on whose stream, ‘mid the steep sky’s commotion,

Loose clouds like earth’s decaying leaves are shed,…

             *   *

That thou, light-winged Dryad of the trees,

            In some melodious plot

Of beechen green, and shadows numberless,

Singest of summer in full throated ease.

 

Suddenly you see poetry transformed into metaphors and symbols. You see Lucy as a violet - as a lone star. Or the Wild West Wind playing with loose clouds in the sky’s commotion.Or the Nightingale in some melodious plot of beechen green. But you hardly notice, as you fall in poetry’s snare, that you have, unknowingly, trodden into a different world of the 'inside' in you. Poetry thus has transformed the ‘outside’ into your ‘inside’. You are no longer in the outside world. You have gone inside. That is the magic called poetry.

Introduction to a series on poetry to appear every Sunday or oftener.

 

© Dr BSM Murty

Comments

  1. Dear Dr Murty

    I'm agree with your very interesting
    thought and proposal.
    By the way poetry is not something that can be easily described since it is part of the symbolic thought. Sometimes surreal dreamlike
    it depends on the cultural formation although mainly on subjective towards the unknown towards that which is beyond the daily life it usually captivates by the magic and the mystery of the origin and the outcome.
    Elisa Dejistani
    www.dejistani.it







    I apologize for any language errors that may be found in the text.

    ReplyDelete
  2. Dear Dr Murty

    I'm agree with your very interesting
    thought and proposal.
    By the way poetry is not something that can be easily described since it is part of the symbolic thought. Sometimes surreal dreamlike
    it depends on the cultural formation although mainly on subjective towards the unknown towards that which is beyond the daily life it usually captivates by the magic and the mystery of the origin and the outcome.
    Elisa Dejistani
    www.dejistani.it







    I apologize for any language errors that may be found in the text.

    ReplyDelete

Post a Comment

Popular posts from this blog

  Hindi Short Stories I propose to publish henceforth on this blog, in a series translations done by me, some of the finest short stories written in Hindi by eminent Hindi writers, though little known among non-Hindi knowing national or international readership, or even among the common readers familiar with the contemporary short story scene in Hindi. In Art, the real merit of a work lies in the work, and not in name of the artist. Read these stories by some lesser-known Hindi writers, most of them from Bihar, whose fictional writings are much lesser known even in the contemporary Hindi literary scene. These stories were published in a collection with the title I AM A WOMAN FIRST (in 2021), selected and translated by me in English. It begins with my Introduction written for this book, followed in this post by a remarkable O.Henryesque brief story  written originally in Hindi by an eminent Professor of English Dr D P Vidyarthy. This series will continue every month on the firs...
  E E Cummings: The Poet of Love E E Cummings is a relatively less known poet in English poetry, and even lesser read. Though he may be slightly better known in America - being American - than in England, because it is said that at the time of his death, he was ‘the second most widely read poet in the US, after  Robert Frost ’ . In India, however,  he is among the least known as an English poet. And in the Indian academia, particularly in the class-room poetry text books, he is seldom to be seen; mostly because of his   too fanciful, almost tyrannous typographical experimentations in verse – displacement of Capital letters by lowercase letters, putting ‘parts of speech’ categories helter-skelter, – often using   words like ‘if’ or ‘am’ or ‘because’ as nouns – radically flouting traditional rules of grammar and linguistics, his wilful use of punctuation and rules of syntax, sometimes synthesising two or three words into one, and such other shocking innovation...
    President Rajendra Prasad & the Kashmir Tangle [An extract from ‘The House of Truth: A Biography of Dr Rajendra Prasad’ by BSM Murty, relevant to the present scenario, in which the Abdullahs play a crucial role, Omar Abdullah, grandson of the Sheikh being in the CM’s saddle. The extract gives the background of the present tangle.]   The Early Fifties: Rajendra Prasad, as the first popularly elected President, was now firmly in saddle with new governments at the centre and in the provinces committed to a coordinated re-building of the nation, with a Prime Minister dedicated to secular, democratic principles and a vision of India’s dignified participation in international affairs. The weekly parleys between the President, the new Vice President and the Prime Minister, and the audio arrangements for the President to be in regular touch with the proceedings in both houses of the Parliament constituted a perfect mechanism for Prasad to be fully conversant and p...